皮革科学与工程 ›› 2021, Vol. 31 ›› Issue (5): 76-81.doi: 10.19677/j.issn.1004-7964.2021.05.015

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藏戏中的扎染氆氇十字花在革制品中的应用

李文君, 周怡*   

  1. 四川大学轻工科学与工程学院,四川 成都 610065
  • 收稿日期:2021-01-05 出版日期:2021-10-28 上线日期:2021-10-08
  • 通讯作者: *88215637@qq.com
  • 作者简介:李文君(1993-),女,服装设计专业硕士在读,研究方向:服装设计,18380302144,407372189@qq.com。

The Application of Pulu Tie-dyed Cross Flower in the Tibetan Opera in Leather Products

LI Wenjun, ZHOU Yi*   

  1. College of Biomass Science and Engineering , Sichuan University, Chengdu 610065, China
  • Received:2021-01-05 Online:2021-10-28 Published:2021-10-08

摘要: 在当今设计发展的浪潮中,越来越多的民族视觉元素出现在当代的设计中,展现着中国风的生命力。将传统藏戏中的扎染氆氇十字花图案更加合理的运用到革制品设计中,寻找与现代流行元素的结合点,在保护这些珍贵的非物质文化遗产的同时,满足现代人的多层次需求,丰富人民的文化生活。当代革制品扎染正在逐步进入市场,但大多沿用传统艺术手法,风格较为单一。通过将藏戏传统元素与革制品设计结合,以期更好地传承和发展,展现中国传统文化魅力,也为现代革制品设计发展提供参考。

关键词: 藏戏, 扎染, 氆氇, 皮革, 设计

Abstract: In the current trend of design development, more and more national visual elements appear in the contemporary design, showing the vitality of the Chinese wind.In this paper, tie-dyed pulu cross pattern in traditional Tibetan opera is applied more reasonably in leather product design to find a combination point with modern popular elements.While protecting these precious intangible cultural heritages, we should meet the multi-level needs of modern people and enrich the cultural life of the people.Contemporary leather tie-dye products are gradually entering the market, but most of the traditional art techniques, style is relatively single.By combining the traditional elements of Tibetan opera with leather product design, it is expected to better inherit and develop, show the charm of traditional Chinese culture, and also provide reference for the design and development of modern leather products.

Key words: Tibetan play, tie-dye, pulu, leather, design

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