南丰傩面具图案在箱包中的应用探究

doi:10.19677/j.issn.1004-7964.2024.03.014

皮革科学与工程 ›› 2024, Vol. 34 ›› Issue (3): 94-100.doi: 10.19677/j.issn.1004-7964.2024.03.014

南丰傩面具图案在箱包中的应用探究

揭红琴¹, 吴镇江², 黄少青^2,*

1.泉州师范学院,福建泉州 362000;
2.泉州职业技术大学,福建泉州 362000

收稿日期:2023-06-09 修回日期:2023-09-01 接受日期:2023-09-06 出版日期:2024-06-01 上线日期:2024-04-25
通讯作者: *黄少青（1963.9-）,男,学士,副教授,研究方向为产品规划、色彩。E-mail:huang338339@163.com。
作者简介:揭红琴（2000.5-）,女,硕士研究生,主要研究方向为服装与服饰设计。E-mail:417673475@qq.com。

Application Exploration of Nanfeng Nuo Mask Pattern in the Handbag Design

JIE Hongqin¹, WU Zhengjiang², HUANG Shaoqing^2,*

1. Quanzhou Normal University, Quanzhou 362000, China;
2. Quanzhou Vocational and Technical University, Quanzhou 362000, China

Received:2023-06-09 Revised:2023-09-01 Accepted:2023-09-06 Published:2024-06-01 Online:2024-04-25

摘要/Abstract

摘要： 作为传统民俗文化中的瑰宝,南丰傩面具的艺术底蕴和文化价值十分丰富。文章对南丰傩面具进行概述,阐析其艺术形态在造型、色彩、装饰方面的特征,分析南丰傩面具图案在箱包中的设计思路及原则,从图案适应箱包与服从箱包的角度进行对应的图案设计及应用研究。以皮革制品作为南丰傩面具艺术元素延续和传承的物质载体,将南丰傩面具艺术符号应用于现代箱包设计中,拓宽南丰傩面具艺术符号的开发思路和应用价值。

关键词: 南丰傩面具, 傩文化, 图案设计, 箱包设计

Abstract: As a treasure of traditional folk culture, Nanfeng Nuo mask has a rich artistic heritage and cultural value and shows a unique aesthetic charm. This article explained the characteristics of Nanfeng Nuo mask art form in terms of shape, color and decoration, and analyzed the design ideas and design principles of Nanfeng Nuo mask patterns in handbags. The pattern design of Nanfeng Nuo mask was carried out and the corresponding application was also studied in bags. Using leather goods as a carrier to continue Nanfeng Nuo mask art, its patterns were applied to the modern handbag design. It is hoped to broaden the development idea and the application value of Nanfeng Nuo mask art symbols.

Key words: Nanfeng Nuo mask, Nuo culture, pattern design, handbag design

中图分类号:

TS56
J528

揭红琴, 吴镇江, 黄少青. 南丰傩面具图案在箱包中的应用探究[J]. 皮革科学与工程, 2024, 34(3): 94-100.

JIE Hongqin, WU Zhengjiang, HUANG Shaoqing. Application Exploration of Nanfeng Nuo Mask Pattern in the Handbag Design[J]. Leather Science and Engineering, 2024, 34(3): 94-100.

参考文献

[1] 沈定求. 南丰傩面具图式研究[J].大众文艺,2021(18):77-79.
SHEN D Q.Nanfeng Nuo mask pattern research[J].Art Lit Masses,2021(18):77-79.(in Chinese)
[2] 马晨晨,程健.符号学视角下池州傩戏服饰文化审美[J].服装学报,2022,7(2):154-158.
MA C C,C J.Aesthetic of Nuo Opera Costume Culture in Chizhou from Semiotic Perspective[J].J Clothing Res,2022,7(2):154-158.(in Chinese)
[3] 罗娜. 傩面具的艺术价值与传承研究[J].戏剧之家,2018(18):140-141.
LUO N.Research on the artistic value and inheritance of Nuo masks[J].Home Drama,2018(18):140-141.(in Chinese)
[4] 蔡雨轩,周怡,杜心怡,等.黔南布依族枫香染技艺在革制品中的应用探究[J].皮革科学与工程,2023,33(1):90-96.
CAI Y X,ZHOU Y,DU X Y,et al.Application exploration of Fengxiang dyeing process of Buyi nationality in Qiannan in leather goods[J].Leather Sci Eng,2023,33(1):90-96.(in Chinese)
[5] 余达喜,刘之凡.最后的乡傩:江西南丰石邮跳傩(第2版)[M].南昌:江西人民出版社,2019.
YU D X,LIU Z F.The last countryside Nuo:Jiangxi Nanfeng stone post Dancinging Nuo(2nd ed)[M].Nanchang:Jiangxi People’s Publishing House,2019.(in Chinese)
[6] 宗恒. 赣东南丰傩面具艺术研究[D].西安:西安美术学院,2008.
ZONG H.The research on Artistic characteristic of Nuo mask in Nanfeng east Jiangxi[D].Xi'an:Xi'an Academy of Fine Arts,2008.(in Chinese)
[7] 黄朝斌. 南丰傩面具的仪式信仰与审美述论[J].湖北民族学院学报(哲学社会科学版),2019,37(1):144-150.
HUANG C B.Ritual belief and aesthetics of Nanfeng Nuo Mask[J].J Hubei Univ National(Philos Soc Sci),2019,37(1):144-150.(in Chinese)
[8] 曾志巩. 江西南丰傩文化[M].南昌:江西人民出版社,2014:554-564.
ZENG Z G.Jiangxi Nanfeng Nuo culture[M].Nanchang:Jiangxi People's Publishing House,2014:554-564.(in Chinese)
[9] 范琳琳. 陕西省宝鸡地区马勺脸谱艺术研究[D].呼和浩特:内蒙古大学,2014.
FAN L L.Mashao facial makeup in Baoji area of Shaanxi province art research[D].Hohhot:Inner Mongolia University,2014.(in Chinese)
[10] 程凌云,韩江芳.文化创意产业背景下的赣傩面具艺术传承与发展[J].大众文艺,2015(10):36-37.
CHENG L Y,HAN J F.Inheritance and development of Jiangxi Nuo mask art under the background of cultural and creative industry[J].Art Lit Masses,2015(10):36-37.(in Chinese)
[11] 王晓娟. 传统图案在现代箱包中的设计应用[J].中国皮革,2022,51(7):108-110,114.
WANG X J.Design and application of traditional patterns in modern luggage[J].China Leather,2022,51(7):108-110,114.(in Chinese)
[12] 王维君,高海燕.浅谈图案要素在现代箱包设计中的应用[J].西部皮革,2019,41(19):52-53.
WANG W J,GAO H Y.On the application of pattern elements in modern luggage design[J].West Leather,2019,41(19):52-53.(in Chinese)
[13] 杜心怡,周怡.彝族皮胎漆器髹饰图案在革制品中的应用探究[J].皮革科学与工程,2022,32(1):92-97.
DU X Y,ZHOU Y.The application exploration of patterns decorated with lacquerware of Yi in leather products[J].Leather Sci Eng,2022,32(1):92-97.(in Chinese)
[14] 李晨. 几何元素在箱包设计中的运用研究[J].中国皮革,2023,52(4):140-142.
LI C.Application of geometric elements in luggage design[J].China Leather,2023,52(4):140-142.(in Chinese)
[15] 王阔,梁燕,胡可诺.国潮服装中唐代宝相花纹样创新设计[J].服装学报,2023,8(1):64-73.
WANG K,LIANG Y,HU K.Innovative design of Baoxiang flower patterns of Tang dynasty in China chic clothing[J].J Clothing Res,2023,8(1):64-73.(in Chinese)
[16] 田悦,于毅,侯秀良等.乐清细纹刻纸的艺术特征及时尚创新设计[J].服装学报,2022,7(5):452-458,470.
TIAN Y,YU Y,HOU X L,et al.Artistic characteristics and fashion innovative design of Yueqing fine paper-cut[J].J Clothing Res,2022,7(5):452-458,470.(in Chinese)
[17] 揭红琴,黄少青.南丰傩面具元素应用于服饰设计的意义[J].西部皮革,2023,45(16):100-102.
JIE H Q,HUANG S Q.The significance of the application of Nanfeng Nuo mask elements to costume design[J].West Leather,2023,45(16):100-102.(in Chinese)
[18] 买发元,吴慧,刘天尧,等.中草药造型元素在女包设计中的创新与应用[J].皮革科学与工程,2023,33(5):98-104.
MAI F Y,WU H,LIU T Y,ZHOU J C,et al.Innovation and application of herbal modelling elements in the design of women's bags[J].Leather Sci Eng,2023,33(5):98-104.(in Chinese)

南丰傩面具图案在箱包中的应用探究

Application Exploration of Nanfeng Nuo Mask Pattern in the Handbag Design

PDF

可视化

摘要/Abstract

引用本文

使用本文

参考文献

相关文章 4

编辑推荐

Metrics

本文评价

[1]	董金华, 严琴, 江汝南. 粤北瑶绣在箱包产品应用中的价值、困境及路径研究[J]. 皮革科学与工程, 2023, 33(3): 89-93.
[2]	谢辉, 潘美丽. 破坏性设计在箱包设计上的应用实践[J]. 皮革科学与工程, 2023, 33(2): 88-91.
[3]	崔佳伟. 针织与皮革面料镶拼的箱包设计研究[J]. 皮革科学与工程, 2022, 32(5): 85-88.
[4]	王倩雯;涂娟;. 江西民间图案在皮革家居软装中的探索与应用——评《家用纺织品图案设计与应用》[J]. , 2019, 29(05): 81-.