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唐代联珠纹的图像修复及其在皮革提包设计中的应用

Image Restoration of Beaded Patterns in Tang Dynasty and its Application in Leather Handbag Design

  • 摘要:
    目的 针对现有唐代联珠纹图像存在的局部纹样缺失或不清晰问题,提升其修复效果,并将修复后的纹样应用于皮革提包设计,探索文化传承新路径。
    方法 提出一种改进的SwinIR修复算法。该算法在SwinIR基础上,利用快速傅里叶卷积构建的空间频率模块替代3×3卷积,提升全局与局部特征融合性能;采用Charbonnier损失函数替代传统损失函数,以平衡误差的平滑性和鲁棒性。将修复后的纹样通过形状文法、解构与重构方法进行再设计,应用于皮革提包。
    结果 与SwinIR、Real-ESRGAN算法对比实验表明,改进算法在视觉上能获得更清晰的局部纹样;客观指标上,峰值信噪比和相似性指数分别最高提升0.92 dB和0.0636 dB;主观平均意见得分评分上最高提升1.68分。最后设计出融合唐代联珠纹文化内涵与现代审美的女式皮革提包方案。
    结论 改进SwinIR算法有效提升了唐代联珠纹图像的修复质量,结合创新设计方法将其应用于皮革提包设计,为唐代联珠纹的数字化保护、活态传承及其在现代产品设计中的应用提供有效方案。

     

    Abstract:
    Objective  This study focuses on addressing the issue of local pattern loss and blurring in Tang Dynasty beaded pattern images caused by the damage of cultural relics or insufficient digitalization accuracy, and explores its application in modern leather handbag design to achieve the effective inheritance and innovative activation of this traditional pattern, providing technical tools for the high-fidelity digital restoration of cultural heritage. Through the integration with modern design, this study explores the application value of traditional patterns in contemporary life and promotes the creative transformation and innovative development of China's fine traditional culture.
    Method  The core innovation of the improved SwinIR algorithm proposed in this study lies in the use of a spatial frequency module constructed by fast Fourier convolution to replace the 3×3 convolutional layers in the original network, significantly enhancing the model's ability to fuse global and local features of images. At the same time, the Charbonnier loss function is adopted to replace the traditional L1 and L2 loss functions, which better balances the smoothness of errors and the robustness of the model during the repair process. The algorithms SwinIR and Real-ESRGAN are verified through comparative experiments. The improved algorithm performs the best in visual restoration effect and can restore the local details, yarn texture and original color of the beadedpattern more clearly.
    Result  Compared with Real-ESRGAN, the peak signal-to-noise ratio (PSNR) is increased by 0.92 dB, and the structural similarity index (SSIM) is increased by 0.0636. Compared with the original SwinIR, the PSNR is increased by 0.63 dB and the SSIM is increased by 0.0062 dB. The average opinion score (MOS) of the subjective evaluation index is the highest, which is 1.68 points higher than that of Realesrgan and 0.44 points higher than that of SwinIR, respectively, indicating that the quality of the restored image is unanimously recognized by experts. Using high-quality Tang Dynasty beaded pattern images restored by the improved algorithms as design materials, this study applies shape grammar to conduct design methods such as replacement, addition and deletion, scaling, copying, rotation and cross-cutting of pattern elements, as well as deconstruction and reconstruction. Representative beaded patterns are selected and recreated around the auspicious theme of "jade beads strung together, complementing each other perfectly". The design process preserves the core cultural connotation and typical artistic features of the Tang Dynasty beaded pattern, while integrating modern design language. The final design scheme is applied to leather handbags to effectively integrate the cultural charm of traditional patterns with the trendy and fashionable sense of modern bags.
    Conclusion  This algorithm provides a powerful tool for the high-fidelity digital restoration of cultural heritage. It provides a practical technical path and design paradigm for the digital protection, dynamic inheritance and innovative application of Tang Dynasty beaded patterns and other traditional designs in contemporary design, especially in leather product design, which has positive significance for promoting the creative transformation and innovative development of China's fine traditional culture.

     

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